The Dark Side of Porn is a documentary series that examines the Adult Entertainment Industry. It is produced for Channel 4 in the United Kingdom. The episode "Does Snuff Exist" investigates the truth behind snuff movies.

"We Exist " 是加拿大独立摇滚乐队Arcade Fire第四张专辑Reflektor（2013）中的一首歌曲。2014年5月16日发布了宣传这首歌的音乐视频，安德鲁·加菲尔德饰演一名跨性别人，视频最后的场景是在2014年科切拉谷音乐艺术节上拍摄的。

"We Exist " 是加拿大独立摇滚乐队Arcade Fire第四张专辑Reflektor（2013）中的一首歌曲。2014年5月16日发布了宣传这首歌的音乐视频，安德鲁·加菲尔德饰演一名跨性别人，视频最后的场景是在2014年科切拉谷音乐艺术节上拍摄的。

A young woman takes her sexuality into her own hands--literally.

When best friends, Jack and Scottie, get a once in a lifetime shot at hidden loot, they take off on a cross-country adventure turned crime spree. With a whiny accidental hostage in tow, and a deranged bounty huntress and Johnny Law hot on their trail, it's going to be a race to the bullet-riddled finish.

Miranda Hart shows us how to make Christmas just as much fun as it used to be by carol singing and spreading Christmas joy. Guests include David Tennant, Sam Smith and Prue Leith.

Miranda Hart shows us how to make Christmas just as much fun as it used to be by carol singing and spreading Christmas joy. Guests include David Tennant, Sam Smith and Prue Leith.

Once upon a time there was a garden, a refuge, a safe haven - 'The Garden of the Finzi Continis'. It came to life in Giorgio Bassani's 1962 semi-autobiographical novel recounting an unfulfilled love story between two young Jews in Ferrara, while fascism was raging in Italy in the late 1930's. In 1972, Vittorio De Sica's film adaptation of the book won the Oscar for Best Foreign Language Film. Since then, the fictional space of the garden became so tangible that people from all over the world come to Ferrara to look for it. Fifty years after winning the Oscar, reality and fiction come together once more, as we walk through an imaginary garden and bring to life the book, its author, its main protagonists, history, love, friendships and betrayals.

An endearing tale of faith and fate, with the odd miracle thrown in, set in the 1960's, Tommy is a 7-year-old boy without a dad who fills in the emotional gaps in his life by believing he is Jesus Christ.

a camera-eye is aimed at David Lynch´s back while in Hanover a second one records the internet-stream, which connects the continents. a third one shoots parallely agnieszka jurek. she is interviewing Mr. Lynch, question, next question, no query raised until she finally runs out of questions. in the meantime a childish personality called "drawlly" crept in secretly, interfers, anticipates the story. maybe it´s the alter-ego of the interviewer. but she could be as well a comic character, cut out of "dumbland", the topical flash animation that Lynch presents at www.davidlynch.com